Description
By (author) Caveney Graham
Short /annotation
Part memoir, part cultural history: a brilliant, funny, moving, and insightful book about agoraphobia, its history, its appearances in literature, and a reckoning of a life lived under its rule.
‘One of my favourite living writers: intelligent, lucid and, most impressive of all, funny’ – Jonathan Coe
If we’re talking agoraphobia, we’re talking books. I slip between their covers, lose myself in the turn of one page, re-discover myself on the next. Reading is a game of hide-and-seek. Narrative and neurosis, uneasy bedfellows sleeping top to toe.
On Agoraphobia is a fascinating, entertaining and sometimes painfully acute look at what it means to go through life with an anxiety disorder that evades easy definition.
When Graham Caveney was in his early twenties he began to suffer from what was eventually diagnosed as agoraphobia. What followed were decades of managing his condition and learning to live within the narrow limits it imposed on his life: no motorways, no dual carriageways, no shopping centres, limited time outdoors.
Graham’s quest to understand his illness brought him back to his first love: books. From Harper Lee’s Boo Radley, Ford Madox Ford, Emily Dickinson, and Shirley Jackson: the literary world is replete with examples of agoraphobics – once you go looking for them.
‘Intellectually curious, emotionally bracing and immensely erudite’ – Blake Morrison, The Guardian
‘Captivating’ Richard Beard
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Never less than completely absorbing, simply because [Caveney] is such a nimble, exact writer, able to move swiftly but unjarringly between daft jokes and serious reflections.
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Intellectually curious, emotionally bracing and immensely erudite. . .bright and funny, and full of telling quotes. . .it will hearten people who have agoraphobia, enlighten medics and teach outsiders all the lessons Caveney has learned
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A strange and many-headed work that melds personal experience with cultural criticism….thoughtful, humane and unjustly enjoyable
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One of my favourite living writers: intelligent, lucid and, most impressive of all, funny – even when he’s writing about the most difficult subjects.
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Captivating . . . but also a book unscared of open white space, which feels like an act of defiance. For a book about agoraphobia it covers a huge amount of ground.
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Graham Caveney approaches the subject of agoraphobia diaristically, legally, and philosophically; he drinks about it, reads about it, has therapy about it, and assembles the long and fascinating history of its writers.
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A witty and engaging cultural history, and a frank and insightful memoir: On Agrophobia is original, smart and hugely entertaining
Biographical note
Graham Caveney is a freelance writer. He has written on music and fiction for the NME, The Face and the Independent. He is the author of three previous books, including The Boy With The Perpetual Nervousness, which was longlisted for the PEN Ackerley Prize, and shortlisted for the Portico Prize.
Promotional headline
Part memoir, part cultural history: a brilliant, funny, moving, and insightful book about agoraphobia, its history, its appearances in literature, and a reckoning of a life lived under its rule.
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